Carrots shimmering. Wait, what?!
Yes. Carrots shimmering in a haze of orange hues. I blinked. A thick liquid made its winding way through my woebegone lashes to my cheek and hung onto my chin for dear life. I went to the mirror and stared, barely able to make out anything through my cloudy vision of 4 am. A puzzled Aathira stared back, only this time with the right eye resembling a large, yellow, thick, dotted football.
Around five hours later, I was thrust with a sheaf of prescriptions and a carton of tablets, all well-advised for a good call of viral conjunctivitis. An eternity that involved tonnes of sticky yellow wet cottons and a well-decorated eye with ornate patterns of dried pus around the borders, a lot of actual tears of the person whose face was so swollen she forgot how it looked before the infection later, I was declared fully recovered from the virus who found a fascination for me.
But you see, carrots were still shimmering. The normal but blurry faced Aathira tried to smile back from the mirror though with very little effect. After another round of rubbing, fretting, crying which resulted in an even blurrier eyesight and a frustrated series of consultations, I was informed I am suffering from the condition of corneal abrasion.
Have you ever had to sit through a movie that was so disturbing and painful that it was torture to see it in the first place while even hours after it ended it still refused to vacate the insides of your head? This was such a condition. After going through a terribly painful and infuriating ordeal of a viral eye infection, the virus left in me a scratchy souvenir. My cornea had been scratched and maimed like a blackboard taken over by children after school hours.
I did not know if I should have been thankful because the condition was not permanent. The garment of doubt worn by almost all the eye specialists still left an unanswered question; the time frame of my recovery. Embracing the uncertainty of my impending healthy cornea, I walked out into a blurry world.
My moons had a rim of pale light around them and all the traffic lights carried a halo in them. Halo-less objects and people swerved tantalizingly above me as I made to reach it through my chubby fingers in vain. It was the first Sunday that I had the time to attend to the details of my blurred vision since the weekday mornings were more or less a blur in itself with all the scooter horns and train announcements. Sunday morning I woke up slowly and made my filter coffee in a whiff of brown and white haze.
After I tenderly made my way out onto the terrace I watched the shaky squirrels playing around in the yard. I tried blinking twice with no effect on the quality of my image. My standard low resolution (72*72 pixel) picture quality remained adamantly unchanged. A little noise distracted me and I moved nearer the palm tree of my mysterious neighbor, to see a hue of sky blue and red perched upon the strongest of the branches. The woodpecker chose that moment to decide and fly to a more private spot where a crooning coffee-holding snob wouldn't distract his daily affairs. Once I turned to look at the squirrels again, it was then that I noticed something.
The visible world of mine was divided into two. One with no filters, clear and crisp, maybe extra sharp in the effect of the second one. And the other was a painting with no definitions. Here, the deep and mellow greens of the trees blended into the blues of the sky. The blues were intruded by the bright yellows and browns of the wide-terraced houses of Tamil Nadu which tapered along the grey walls of my terrace and the contrasting red tiles of the floor. Standing there, I didn't think I could ever explain the feeling of having two light weight, oppositely ordained and starkly contrasted cameras in you, to another soul in this planet. This was just my world, a world only I could perceive beautifully cut through the middle, to expose the well-defined and the chaotic other half.
Post these realizations, I started to play around with the colours of my chaotic eye. If and when I found the crowd overwhelming, I would close my proper eye so that all faces and heads would become a blur. Few times it resulted in me ignoring my acquaintances too, though that had some serious side effects. Slowly I began to like the fact that people would eventually walk toward me in a blur and as they get nearer to me they become clearer; though even then some sides are left to the shady hues.
It has been seven months now and maybe I can say this is how I have managed to embrace my condition. No. I don't think I am embracing the condition. I shower my chaotic vision everyday with fresh new insults without stop. But somehow I have come to realize that sometimes it is good even to make out the known faces only when they get a little closer to you. It is okay sometimes to not know what is making its way towards you. It is good to be surprised.
Some days in life, I have trodden along familiar paths with unfamiliar sensations of perceiving a person who I thought I knew well, in a strange light. The shock that surpasses you then, is because of your ardent belief in their familiarity. And familiarity in itself, can be deceiving most of the times.
Now when I blink thrice and slowly the fog on the borders of my vision drifts off and I perceive a previously familiar object in a newer light, I genuinely feel people should come with a known filter. A lens that shows you the obvious features at first but leaves a patch of greyish-white lining on the edges which takes its time to lift. Just so that, you know you stand the chance of being surprised at any point.
Is this my way of fantasizing my nagging post-infection eye condition?
Maybe yes.
Anyway, y'all only have to bear with the pain of reading it and NOT THE ONE THAT MAKES YOU SEE TWO MOONS INSTEAD OF ONE.